Any old thing, any old how

Cheap as chips: David Dickinson
The Weekender

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It's as true today as it was 30 years ago that the ads in this country are better than the programmes. That's hardly surprising, I suppose, because commercials allow some of the smartest people in London to lavish Hollywood-sized budgets on 30 seconds of airtime, so it's no wonder that the advertising industry consistently turns out a succession of televisual Faberge eggs (along with the occasional Faberge "for the love of life" deodorant).

One of the most inventive ideas of recent years has been the wonderfully subversive FCUK campaign, and its continued success has convinced me to set up and advertise my own chain of dyslexic fashion stores. We'll specialise in beachwear with an 11th-century Anglo-Danish feel, and the chain will be named after one of our most famous kings: CNUT.

Which brings me neatly to David Dickinson, because if there's one word that springs to mind whenever I see him, it's "chain". This improbably mahogany-coloured gentleman is just the sort who would have worn a gold one round his neck in the Seventies (and used Faberge for Men anti-stink, too), and although he's now a bit of an antique himself, he brought that same swaggering medallion-man demeanour to last night's Bargain Hunt (BBC1).

Originally a cheap daytime format, this buying-and-selling show recently bifurcated in the schedules, with the underwhelming Tim Wonnacott presenting the midday edition, while Dickinson has been promoted to prime time, where he labours under the misapprehension that he is a much-loved cheeky chappie.

He's not. He's just a human grease gun with a klaxon attached, and it struck me while watching him that BBC Dumb has a white Ainsley Harriott, spooking for the pensioners.

Last night's edition began at an antiques fair in Newark, with the cricket-loving blue team trying to spend £500 more wisely than the pop-singing red team. Surely their hobbies were utterly irrelevant to the task at hand, you might think, but you'd have reckoned without Dickinson.

He insisted that the blues must awkwardly bowl and bat for the cameras, then forced the reds to sing Dedicated Follower of Fashion in a version so dodecaphonic and arrhythmic that Ray Davies must now be feeling that his entire life has been lived in vain.

Once the ritual humiliation of the contestants was over, they went in search of bargains, with the reds deciding to purchase a "snuff box" (isn't "coffin" the correct name for one of those?), and to splash out on impulse on an ancient wooden mallet that was explicitly designed for bashing small animals senseless.

"It's called a priest," said an expert, which seemed appropriate, because according to the News of the World, the ecclesiastical profession is notorious for excessively beating the meat, and for splashing out on impulse too.

Throughout the show, Dickinson kept reminding viewers that they could phone in and guess at the eventual outcome, while a small caption reading "calls cost 60p a minute" revealed the only bargain that the BBC (a public service broadcaster, in case you've forgotten) was interested in.

Meanwhile, the experts were earning their meagre stipend by displaying their knowledge to the teams, and I quote verbatim one discussion about a wooden Victorian book rest: "I know it's walnut."

"How do you know that?" "By the wood." Pausing only to utter his two catchphrases (no show is complete without "cheap as chips" and "what a bobby-dazzler"), Dickinson then decamped to an auction house in Grantham, where (as usual) neither team managed to recoup the money they'd just paid out for their chosen items. And I was left wondering what the auctioneer would have done if one of the teams had asked him to sell an antique gavel, because as soon as he'd tried to demonstrate how it worked, the bidding would have been over.

David Dickinson, it's well known, has a prison record, and although he's technically a reformed man, I regret to report that his work is still criminal. The programme's production values are themselves cheap as chips, and the contestants so illinformed that (to paraphrase dear old Oscar) they know the value of nothing, and don't even know the price of anything, either. At least the Antiques Roadshow features box-hatted old biddies from Harrogate who seem to understand the difference between objets d'art and bric-a-brac, although I'm still waiting for the day when that show finally has some straighttalking on it.

How I'd cheer if someone took a vase in for valuation, then turned and said to Mr Aspel: "Bollocks, Michael, I don't want to keep it for sentimental reasons, my husband's worm food and I want the dosh. If it's worth more than a pony, I'll take it straight down to Sotheby's and flog it. Anyway, I only brought it along here so the neighbours would see it, and know that I'm flush, and turn green with envy."

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