Power of the fairytale in Beasts and Beauties

Swashbuckling stories: Al Nedjari and Emily Mytton in Bluebeard
10 April 2012

These reworkings of classic folk and fairy tales by poet laureate Carol Ann Duffy are delicious, and in this staging by Melly Still and Tim Supple they’re realised in a sensuously physical fashion. It’s hard to imagine two more aptly named creatives; the eight stories enacted here contain moments of eloquent serenity and agile charm.

The stories are well-known ones, such as Bluebeard and Beauty and the Beast. But these versions are stylish and spry, imbuing the familiar with a disarming originality. I was amused by the nine-year-old next to me explaining to his mother the concept of the Emperor’s New Clothes; he may have been surprised to find Hans Christian Andersen’s tale recast as a satire on the vanity of politicians.

Although this is an uncharacteristic bid for contemporary relevance, the action shifts between different places and periods, which enhances its appeal. While a couple of the stories go on a little too long, the range of material ensures that even the youngest audience members remain engaged.

Highlights include an amorous pig, a goat that showers gold from its behind, and a hideous Beauty-baiting Beast with remarkable talons (made by Erin Moore).

There’s a persistent element of gruesomeness — of gunge and grotesquerie. Yet there are also scenes of rich comedy, poignancy and theatrical magic. A cast of eight juggles the various roles, urged along by Dave Price’s multifaceted percussion. All are good but especially eye-catching are Emily Mytton, Jack Tarlton and the versatile Jason Thorpe.

The approach to storytelling is simple yet subtle, and the result is a clever, witty and reassuringly warm family show, suitable for children aged eight and over — and likely to satisfy the sort of bigger kids who have pension plans and mortgages.

Until December 31. Information: 020 7722 9301.

Beasts And Beauties
Hampstead Theatre
Eton Avenue, Swiss Cottage, NW3 3EU

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