Charli XCX, Heaven - music review: Rising star proves she has got the Charli XCX factor

Her feisty personality occasionally got lost amid the glossy production but the guitar-led Caught In The Middle, from eagerly awaited third album Sucker, sounded destined to become a future favourite
Feisty: singer Charli XCX performs at Heaven (Picture: Steve Gillett/Livepix)
STEVE GILLETT / LIVEPIX
Rick Pearson6 November 2014

Having penned two major hits for other people — Fancy for Iggy Azalea and I Love It for Icona Pop — Charli XCX now seems ready to become a star in her own right.

The singer born Charlotte Aitchison is arguably as well-known for her impeccable Instagram account as she is her feisty music. Yet her route to the top was a lot grittier than for most of her pop peers. The 22-year-old singer released her first album at the age of 14 and cut her musical teeth playing at illegal warehouse raves in London.

With recent single Boom Clap — which is used in the soundtrack to the movie The Fault In Our Stars — making the Top 10 in the US, it was clear last night that Charli XCX’s sights are now set chiefly on the North American market.

She and her all-girl band performed in cheerleader outfits and on London Queen she sang: “I never thought I’d be living in the USA, doing things the American way.”

Still, the Cambridge girl seemed delighted to be finishing her tour in the capital, even dropping in a cover of Money (That’s What I Want).

Charli XCX’s music, in the middle ground between Siouxsie Sioux and Scary Spice, is a pastiche of Nineties pop — equal parts girl power and pulsing R&B.

Occasionally, as on Need Your Love, her feisty personality gets lost amid the glossy production but the guitar-led Caught In The Middle, from eagerly awaited third album Sucker, sounded destined to become a future favourite and her recent single Break The Rules sent Heaven’s male-heavy crowd delirious.

Like the best pop stars, Charli XCX treads the fine line between childish frivolity and adult sexuality, with her sugary pop songs always hiding a darker undercurrent.

It’s a heady combination and, as confetti fell from the ceiling during an encore of Boom Clap, one that seemed destined to make her a major star on both sides of the Atlantic.

Latest music reviews

1/168

Create a FREE account to continue reading

eros

Registration is a free and easy way to support our journalism.

Join our community where you can: comment on stories; sign up to newsletters; enter competitions and access content on our app.

Your email address

Must be at least 6 characters, include an upper and lower case character and a number

You must be at least 18 years old to create an account

* Required fields

Already have an account? SIGN IN

By clicking Create Account you confirm that your data has been entered correctly and you have read and agree to our Terms of use , Cookie policy and Privacy policy .

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged in